How do I switch chambers smoothly on a multichamber ocarina?
While the action of switching chambers appears to be simply sliding the ocarina from side to side, there is more to it.
When playing, the ocarina is pressed lightly against the lips. If this pressure is maintained while switching, the mouthpiece will grip against the lips, creating friction that makes switching harder.
Chamber switching is easier if this pressure is released. So, the process to switch chambers is as follows:
- Slightly move the ocarina away from the lips, such that the mouthpiece is not touching them. This distance should be minimal, only what is required to break contact.
- Move the ocarina so that the desired windway is in front of the aperture between your lips.
- Move the mouthpiece back into contact with the lips.
If you practice doing this, it becomes automatic after a few days. Note that you don't actually have to break contact; just reduce the pressure on the skin, thereby reducing friction. Lightly tonguing the switch also helps.
It is easiest to switch when the ocarina's mouthpiece is ergonomically designed. The edge should be as thin as possible and somewhat rounded.
Special notes for plain-finish ocarinas
The rougher surface of plain clay slides over skin far more easily than a smooth surface, though it can still cling if moisture is present.
This can be addressed by letting your lips rest on the ocarina's mouthpiece for a while before playing; the porous clay will absorb any moisture present. Always keep your head up and hold the ocarina horizontally; looking down can cause saliva to run onto your lips or the mouthpiece.
